Film
King Kong
1933, 1993 – 60th Anniversary Release
United States (USA)
Near mint minus; originally rolled (as issued)
Ernest B. Schoedsack, Merian C. Cooper
Bruce Cabot, Fay Wray, James Flavin, Noble Johnson, Robert Armstrong, Sam Hardy
US One-Sheet – Single Sided – 27″ x 39″ (69 x 101 cm)
“And now, ladies and gentlemen, before I tell you any more, I’m going to show you the greatest thing your eyes have ever beheld. He was a king and a god in the world he knew, but now he comes to civilization merely a captive – a show to gratify your curiosity. Ladies and gentlemen, look at Kong, the Eighth Wonder of the World.”
An original 1993, 60th Anniversary US one-sheet for the classic “King Kong”. Re-released numerous times since its original 1933 premiere, this one-sheet takes its design inspiration from the 1960s re-release poster as Kong holds Ann Darrow (Fay Wray) against the backdrop of the the New York City skyline. I do like the use of black and white as a homage to how the original release was filmed – it also makes the gold and red title lettering really stand out. Any paper for “King Kong” is extremely sought after and collectable, which makes this 1993 example hugely desirable as it was printed in very limited numbers to coincide with a strictly limited New York City cinematic release and the 60th Anniversary release of the movie on video. Offered in superb, rolled (as issued) condition it represents an excellent piece of cinema history from the most influential monster movie of all time.
Trivia: This is the only film to debut at the two largest theaters in New York City, the Roxy and Radio City Music Hall, simultaneously. The total seating capacity was about 10,000; it sold out every performance (10 per day) at both theaters.
…more detailVintage Movie Posters Grading Criteria... read more +
How many films can truly be said to be definitive? The answer is probably not many, but the original 1933 version of King Kong is certainly one of them. For its time, every aspect is innovative. First-of-their-kind special effects, first-of-its-kind plot, famous performances and a final sequence that remains unequalled as an eye-popping cinematic experience. The quality of cinematography and visual trickery has progressed a long way since 1933 – so the special effects obviously look rather primitive to 21st Century eyes – but anyone with a shred of common sense will still be astounded by what they see. This is movie history in the making. Had this never been made, the whole history of films may have taken a different course.
Ace film director Carl Denham (Robert Armstrong) hires an unemployed, attractive New York woman Ann Darrow (Fay Wray) to star in his new picture. He takes her by boat to remote Skull Island where, according to legend, there lives an awesome god-like beast named Kong. Denham’s plan is to shoot a variation of the Beauty and the Beast story, using Ann as his beauty and Kong as his beast. Everyone involved gets more than they bargained for when Ann is kidnapped by the island natives and offered as a sacrifice to Kong. She is kidnapped by a gigantic prehistoric ape and saved only by the courage of ship’s mate Jack Driscoll (Bruce Cabot). But Denham has one more trick up his sleeve when he captures Kong and takes the beast back to New York. You don’t really think those chains will hold him, do you?
Virtually every horror monster movie ever made owes something to King Kong – even colossal modern hits like the Jurassic Park series and Godzilla (not to mention thousands of small scale homages such as The Land Unknown and Gorgo). It is arguably the most influential film of all-time. I genuinely envy people who were lucky enough to experience this film during its 1933 opening week – what must they have thought? Did they realize they were witnessing something utterly extraordinary?
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
